In my practice, I work with themes of memory, identity, and migration. For me, the personal is both source and material; the social is a horizon of reading; and artistic form is the place where they come together. With 15 years of experience in graphic design, I use its principles to construct the internal structure of my works.
Working at the intersection of abstract painting and object-based practice, I focus on the material logic of process. In artistic research, I bring together philosophical perspective, observation, photography as research material, physical experimentation, and embodied action.
My practice is shaped in co-authorship with the external environment — sun, precipitation, and time — as well as through direct physical action: pressure, repetition, and the rubbing of earth into the surface. Through material, environment, and action, the idea undergoes a process of transformation and takes the form of a physical object.