I work at the intersection of abstract painting and spatial form. My methodology is grounded in artistic research, material experimentation, and embodied action.
My practice develops through performative and somatic modes of working with the body and materials, as well as through collaboration with environmental forces—sunlight, precipitation, and time. These interactions are embedded in the working process and become integral to the material form.
My work engages with memory, migration, and the fragility of identity. Personal experience serves as a point of departure, while the social context provides a framework for reading the work. Drawing on my background in graphic design, I use its structural principles to shape the internal architecture of the artistic process.