I work at the intersection of abstract painting and installation. My method is based on artistic research, physical experimentation, and embodied action.

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My practice develops in co-authorship with the external environment — sunlight, rain, and time — and through physical contact with material. This interaction becomes part of the working process and part of the final material form.

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I am interested in memory, migration, and the fragility of identity. Personal experience becomes an impulse, while the social context frames the reading of my work. My background in graphic design helps me build the internal structure of my process.