Radiance
2025–2026
Acrylic on canvas
60 × 100 cm
Radiance explores light as a lingering condition. Created outdoors and exposed to sun, wind, dust, and rain, the painting records time through fading, stains, drips, and subtle traces. The warm color field opens a quiet space where light is felt as atmosphere and presence.
Field Structure
2026
Acrylic on canvas
50 × 50 cm
Field Structure reflects on the rhizome as a form of growth, connection, and dispersion. Its layered surface and diffused horizontal field suggest nature as a network of interrelations, where form emerges gradually through process, sedimentation, and slow expansion.
Solar Residue (Architecture of Memory) (Diptych)
2025
Acrylic on canvas, sand texture, palette knife
50 × 70 cm
This diptych reflects on modernist architecture as a material trace shaped by light, heat, and time. Through layered acrylic, sand texture, and scraped palette-knife gestures, geometric order dissolves into surface. What remains is not the building itself, but a residue of structure held in memory and matter.
The Unfixed
2025
Acrylic on canvas
100 × 110 cm
The Unfixed explores a state of groundlessness in which stability remains uncertain. Through water, drifting forms, and a shifting surface, the painting opens a psychological space where orientation stays fluid and form never fully settles.
Grain of Space
2025–2026
Acrylic on canvas
60 × 100 cm; 47 × 47 cm
Grain of Space explores perception at the point where spatial order begins to break down. Built as one large-scale painting and four modular works, the project forms a fragmented visual field in which rhythm, perspective, and painterly marks produce a space that remains unstable, shifting, and unresolved.
What the Field Remembers (Diptych)
2025
Acrylic on canvas, sand texture, palette knife
55 × 90 cm
This diptych reflects on the boundary between memory and disappearance. Through silhouette-like forms, restrained gesture, and textured surfaces made with Mediterranean sand, burnt sienna, and black, the work evokes presence, loss, and collective remembrance.
No Face, No Time (Diptych)
2025
Acrylic on canvas, sand texture, palette knife
25 × 25 cm
No Face, No Time is an ongoing series of small monochrome paintings in which historical figures reappear as fragments of memory. Stripped of face and chronology, they persist through gesture, trace, and material presence rather than likeness.
Portrait of TLV
2025
Acrylic on canvas
65 × 95 cm
Portrait of TLV approaches the city through the atmosphere of its space. Light, perspective, palm trees, and a figure seen from behind form a recognizable image suspended between reality and memory — not a specific place, but a shared urban state.
The Listener
2025
Acrylic on canvas, sand texture, palette knife
50 × 50 cm
The Listener is a three-work series in which the figure appears as a trace between presence and disappearance. Through faceless silhouettes, textured surfaces, and restrained gesture, the work explores memory, inner tension, and the fragile sense of home as an internal state.
