The House on Seven Pillars
Long-term artistic research framework
The House on Seven Pillars is a long-term artistic research framework that examines the idea of home as a system of supports. Within this framework, home is not understood as a fixed place, but as a structure that is continuously deconstructed and reassembled through questions of belonging, identity, memory, body, language, archive, material, and cultural codes.
The framework unfolds through seven interconnected lines. Each line approaches home through a different form of support: family archive, cultural memory, local material, bodily action, language, spatial boundaries, and temporary structures of belonging.
Together, these lines form an evolving system in which home appears not as something given, but as something assembled through fragments, gestures, traces, and acts of connection.
Seven research lines
2026 - Nodes of Temporary Assembly
A spatial installation exploring temporary stability through earth, canvas, rupture, stitching, knots, and tension.
A material form between body, memory, and place, made through local earth and unstretched canvas.
שורש / Shoresh
Return, transformation, and the reactivation of what has been displaced, interrupted, or forgotten through family archive, documents, names, photographs, and fragmented narratives.
Cultural Layer
Cultural codes, inherited forms, visual traces, and the accumulation of historical memory.
Ascent
An exploration of movement across geographical and inner borders, where the path becomes a way of forming new supports and ascent.
Fragments of Language
Language as a fragmented, inherited, and reassembled structure of belonging.
Through Walls
Spatial boundaries, passages, opacity, and the structures that separate or connect spaces.